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Miklos Legrady: an interview, The Teddy Bear Project, but mostly it’s about

Ydessa Hendeles - A Milliner’s Daughter

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at the Power Plant, Toronto, Summer 2017

This is the tale of a curator turned artist at a time when humanist values are on a rebound, putting to rest the notion that art is anything you can get away with. Hendeles paints with manikins instead of pigment, her work described as chords of curiosity.

Neuroscientist Antonio Damasio’s study of non-verbal language like Ydessa Hendeles’s work says that “every perceptual experience is accompanied by a spectrum of cognitive valuation - art is not mere "cheesecake" for the mind. It is instead a cultural adaptation of great significance.”

https://www.tusslemagazine.com/ydessa-hendeles



TUSSLE MAGAZINE is an independent artist run online publication which showcases contemporary art in the form of interviews, studio visits, Zine's and exhibition reviews with emerging, mid-career and established artists, designers, curators and photographers.

TUSSLE MAGAZINE was founded in 2013 and is currently located in NYC.
​Editor and Founder: Laura Horne-Gaul

A new voice in art criticism, Miklos Legrady is a visual artist, scholar, anti-hero and protagonist who is expecting trouble. He steps out of the art world’s blind spot, deconstructing cultural myths and fictions. Emerging as a hybrid between technical wizard, ad buster and poli-sci commentator, he moves through a world of political, social, and cultural intrigue. Like the Energizer Bunny, Legrady just keeps on going and going. Legrady is now Toronto Editor for the New Art Examiner, Chicago.

contact: legrady@me.com

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