CTR 149 / Winter 2012 “Queer Performance: Women and Trans Artists” is now available online
This important issue reflects on a contemporary alternative queer performance scene with a transnational scope, and features the script of Jess Dobkin’s Everything I’ve Got, along with articles on, and interviews with, several influential Canadian women, lesbian and trans performers including: Rosemary Rowe’s chronicle of the electric atmosphere of the Anne Made Me Gay cabaret; Erin Hurley’s examination of Nathalie Claude’s Madness Trilogy; and a boychoir’s experiments with gender fluidity discussed by David Bateman. The goal of the material in this publication is to bring to light some of the most edgy, vibrant, and under-represented performance work Canada has to offer, and to help develop a critical discourse around the fluctuating and creative methods of queer artistic production.
Canadian Theatre Review is the major magazine of record for Canadian theatre. It is committed to excellence in the critical analysis and innovative coverage of current developments in Canadian theatre, to advocating new issues and artists, and to publishing at least one significant new playscript per issue. The editorial board is committed to CTR's practice of theme issues that present multi-faceted and in-depth examinations of the emerging issues of the day and to expanding the practice of criticism in Canadian theatre and to the development of new voices.
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